Do you want to know what really is embarrassing? When you think you know something although in fact you don’t.
When you follow this post by Kevin Koch and the comments, you will see that I contributed my thoughts to it. This includes my understanding of the small little word “plot”. And you know what? I screwed up. So here is the deal: you have fun reading while I start my research engine, dive into the worlds of “plot” and “story” and will try to make clear what they mean.

Story and Plot, Aristotle and Forster

On the search for the right definitions and explanations regarding “plot” and “story” Wikipedia comes to mind as it is in many ways an (not always) adequate start

This part continues the analysis of the second part of “The Dawn of Man” in the movie 2001: A Space Odyssey by Stanley Kubrick. It covers all scenes and sequences that take place on the space station Dr. Floyd was flying to during the space waltz sequence (and which was discussed in the last part). Besides a visual analysis this part will also mark the first one that will take a look at the dialogue spoken by the characters.

(Note: All images are copyright Metro Goldwyn Mayer (MGM) and used solely for the purpose of analyzing 2001.)

After the space waltz sequence finishes with a close-up/fly-by of the exterior of the rotating station, Kubrick cuts right to the arrival of Dr. Floyd at the “reception” of the station.

Sometimes it is hard to not think about something…

Two days ago I have written a little bit about the film adaptation of Stephen Kings short novella THE MIST. Yet I simply couldn’t get the ending of this movie out of my head.

The reason is not its drastic or shocking nature. In fact, as I witnessed the chain of events I was happy that finally someone found the guts to pull off something like that. Yet, during the time afterwards, I became more and more skeptical for the feeling that this ending didn’t fit completely.

The first one to blame for this problem would normally be Stephen King himself, but this time it isn’t his fault as the ending was created for this movie alone. And the difference couldn’t be

(Warning: Spoilerific Post about THE ISLAND)

Besides the many things I have and want to do I yesterday took some of my precious time and watched Michael Bay’s THE ISLAND on TV. As some of my friends told me that this movie was not perfect at all it was at least some fun. In review I can say that the rating of 6.9 on IMDB is OK, although I would rank the movie around 6.5 or lower.

The reason for my rating are not the 3D special effects (which are over the top by the way) but rather the fact that the story contains some problematic ‘hiccups ‘.

Wrong Character Motivations in THE ISLAND

One thing that I particularly didn’t like was the missing or wrong motivation of the female protagonist, Jordan Two

After the analysis of the first 16 minutes of 2001: A Space Odyssey by Stanley Kubrick this part continues the series by looking at the beginning of the second half of “The Dawn of Man” – the space waltz sequence that introduces us with the future.

(Note: All images are copyright Metro Goldwyn Mayer (MGM) and used solely for the purpose of analyzing 2001.)

After the death of the ape in the first part of the movie, the bone-wielder thrusts its “tool” flying into the air. Exactly at that moment, Kubrick cuts to the future:

2001_0021.jpg 2001_0023.jpg

This “match” cut, which visually connects the first image with the later, is not without reason one of the most stated cuts in the history of film.

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